Friday, April 29, 2022

Musical Analysis in Plain English

By Gabriella D.

           If written works in official style is hard to understand, plain style works are hard to find. Within this world full of official style, there aren’t many scholarly articles works in plain prose that are published and include a full text. More specifically, a university search database definitely makes my search more difficult. However, after reading this specific piece, I automatically knew that it was written in plain style based on general reading ease. The piece is called “Meaningful Collaborations: An Introduction to Music of Jamaica” by Karen Howard. In contrast to other articles, I was able to easily read the article and stay engaged without the niche language, repetition, or other high style techniques. At first glance, the sentence structure consistently followed the plain style format of the kicker followed then by the kicked. Not only linguistically but also visually, I was able to identify plain style because of the visual aids accompanying the text. The piece surrounds a 5th grade teacher and his students. They invite Dr. David Aarons, an ethnomusicologist, to their fifth-grade class to teach about the professional’s wide variety of traditional and contemporary music experiences from Jamaica. The article follows the author’s experience teaching their fifth-grade class parts of the Jamaican music culture by an ethnomusicologist while also understanding the sociocultural socio-history behind Jamaican lyrics. While we learn the different parts of Jamaican musical culture, we analyze the type of prose used throughout the piece and its strategies, and why they are used. Then, we will consider the plain style prose within the context it is written. I argue that the context of which the piece is written makes a great impact on which stylistic prose is used. In this case, the author’s teaching background may have carried over into the language of the piece and affected the author’s choice of prose – plain style.

First, the stylistic strategies which are used throughout the piece prove that this piece is written mostly in plain-style which is also language teachers of lower-grade levels often use for easier understanding. For example, a plain-style strategy we see throughout the entirety of the article is conduplicato – the repetition of a keyword from a preceding clause or sentence at or near the beginning of the next. An article about music, understandably, variations of the word “song” is repeated about 14 times throughout the piece. Another strategy used is metabasis – stating what has been said and/or what will follow. Here, we can see that the author, rather smoothly, creates a transition by applying context to what they discussed which was analyzing Jamaican song lyrics, “An understanding of the song’s deeper cultural meaning behind the seemingly silly lyrics, however, secured its place in my curriculum” (56). We can see the author utilizes metabasis in hopes of concluding by tying the significance of this specific Jamaican musical piece to the context of their musical class.

However, we move on to the strategies that seemed to only magnify the cons of plain-style prose. For example, plain style may be easier to read but they may also oversimplify its content. For example, the author mentions a musical technique while analyzing the lyrics of a Jamaican song, “The call and response song can be placed into a key that works for the instruments that you choose” (56). According to ISKME.org, call and response is a technique where “one musician offers a phrase and a second player answers with a direct commentary or response to the offered phrase. The musicians build on each other’s offering and work together to move the song along and create a sound that’s inventive and collective”. However, this is a musical technique that is not explained further within the article. Although it can be self-explanatory, as the main topic being about music and Jamaican music analysis, there should be more explanation on this term and its nuances. Another example where the ethics of plain style are questioned is within a conversation between the teacher and their students on the introduction of Jamaican culture,

“They smoke a lot.” I realize that he means marijuana, and I am unsure how to respond. I decide to be frank and say that I do not know if that is true, but that it does seem to be a reputation associated with the country. I raise my finger in the air and say, “That might be . . . a stereotype!” We review the definition for stereotype. Clare reminds us is facing the wrong way,” It’s when we judge something without knowing things for sure.” I add, “Right—that we make an assumption without questioning why we think that, or where we heard it.” (54)

They are right to correct their students for stereotyping what they think they know of the country, but there is more to understand about this stereotype. It well and done that they now understand the definition of a stereotype, but more is to say about how to recognize other stereotypes in play, avoid them, and stop this stereotype threat. However, there is also not much to say as I doubt that sociological concepts of stereotypes are a part of the curriculum just yet.

In conclusion, the plain style has its pros and cons. It makes pieces more readable and accessible, however, it also has ethical implications like oversimplifying. This could be detrimental especially for the intended audience that comes with the more accessible plain style. However, the author’s stylistic choice of using plain-style prose may be due to the context surrounding this work. It is not written to a 5th grade audience because of some moments of musical analysis. At the same time, this is not intended for musical theory experts as most of its sentences are simple and concise without much further explanation or analysis. The author is a teacher not only reflecting on their experience of teaching music culture to their fifth graders and analyzing Jamaican music, but they also aim to teach other educators how to go about music education. We can see this when they include dialogue of the students which makes for reference for other educators. Therefore, the intended audience are for teachers alike searching for ways to teach complex concepts to young children. In this case, plain-style prose is appropriate which its pros overpower its cons.

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